![Did You Know??? (May 2013): Kendrick Lamar
Few artists can legitimately claim to have their finger on the pulse of a generation; in 2013, 25-year-old Compton emcee Kendrick Lamar is unquestionably one of those few. Despite his short stature, Lamar has stood tall on a pedestal all his own for the past two years, looked up to as unique voice and talent by his peers, his critics (MTV named him 2013’s Hottest Emcee back in March), and his fans alike. What separates Lamar from any of the plenty of talented, lyrically sharp artists making their name today?
Vision.
“I’m trying to keep it alive and not compromise the feeling we love. You’re trying to keep it deprived and only co-sign what radio does…and I’m looking right past you…” – Kendrick Lamar, “Don’t Kill My Vibe”
Rather than use his considerable skill to glorify negativity in Hip Hop culture, Kendrick navigates a complex and decadent landscape with an observer’s eye, highlighting problematic thought processes and behavior in a way that doesn’t come off as preachy or holier-than-thou. As a result, Lamar has largely avoided being typecast as a conscious rapper; his pithy brand of introspection and deadly technical proficiency on his debut mixtape – Section.80 – earned him props and placements artists as diverse as 50 Cent and Lady Gaga.
Despite increasing co-signs, guest appearances and album/ticket sales - a trend that’s only continued throughout 2012-2013, following the release of his first album good kid, m.a.a.d. city – Lamar has not lost track of his priorities or his humility. In a recent interview with Erykah Badu, Kendrick describes his motivations thusly:
“[A]s a kid I was always fascinated knowing that I could be the best at something—like Jay-Z or Nas or B.I.G. But putting a positive light on where I come from is also important to me. When you think of Compton, it’s numb with negativity, even to this day. So the whole purpose of this first album was really to spark the idea of doing something different rather than doing a record that’s just about gang culture. That’s the ultimate thing I want to do in making music—to be able to inspire somebody else.
Tellingly, Kendrick doesn’t just pay lip-service to positivity. As he expresses his lack of concern about album sales in verses, Lamar acts in ways to inspire people in his community and beyond. Recently, he made headlines for his partnership with GetSchooled,described as “a nonprofit that aims to improve high school graduation rates and help students succeed in college.” Through GetSchooled, Lamar was able to host a motivational Skype conversation with 500 7th-12th graders at Alaska’s Bethel Regional High School, spitting rhymes, answering questions, and uplifting the student body. In a speech to the students, he said:
“Without education you don’t have anything. My teachers were great positive influences in my life. My middle school English teacher was probably the reason I became a rapper. He used to encourage me to write poetry and challenge me, which helped me improve my vocabulary and made me enjoy writing.”
Days later, Kendrick took some time out from touring to serve as Celebrity Principal at Providence, Rhode Island’s Mount Pleasant High School, where he encouraged close to 1000 more students through his partnership with GetSchooled. Lamar summed up his experience thusly:
“Any time I can make a difference in the lives of students, it matters to me. Knowing that these students earned this event because they took the time to come to school daily and work hard on a daily basis for the attendance challenge is impressive. For me, education is the key to success. Without some form of education, you don’t have anything. Education was always important to me, as my mom made sure that I was always in school.”
Kendrick’s commitment to integrity in his life and in his art serves as an example of youth empowerment in the face of cultural and societal challenges. By choosing to use his talents to inspire young people, Lamar positively achieves his vision.
HIP Enterprise salutes Kendrick Lamar for his maturity and efforts to motivate his community.
This has been Jerome J. filling you in with what’s really going on in the world of entertainment when the cameras are off and the studios are closed.](http://25.media.tumblr.com/fec5f287a26872f8fafe96698f776e3c/tumblr_mmudwnc8Bw1qlqldao1_500.jpg)
Did You Know??? (May 2013): Kendrick Lamar
Few artists can legitimately claim to have their finger on the pulse of a generation; in 2013, 25-year-old Compton emcee Kendrick Lamar is unquestionably one of those few. Despite his short stature, Lamar has stood tall on a pedestal all his own for the past two years, looked up to as unique voice and talent by his peers, his critics (MTV named him 2013’s Hottest Emcee back in March), and his fans alike. What separates Lamar from any of the plenty of talented, lyrically sharp artists making their name today?
Vision.
“I’m trying to keep it alive and not compromise the feeling we love. You’re trying to keep it deprived and only co-sign what radio does…and I’m looking right past you…” – Kendrick Lamar, “Don’t Kill My Vibe”
Rather than use his considerable skill to glorify negativity in Hip Hop culture, Kendrick navigates a complex and decadent landscape with an observer’s eye, highlighting problematic thought processes and behavior in a way that doesn’t come off as preachy or holier-than-thou. As a result, Lamar has largely avoided being typecast as a conscious rapper; his pithy brand of introspection and deadly technical proficiency on his debut mixtape – Section.80 – earned him props and placements artists as diverse as 50 Cent and Lady Gaga.
Despite increasing co-signs, guest appearances and album/ticket sales - a trend that’s only continued throughout 2012-2013, following the release of his first album good kid, m.a.a.d. city – Lamar has not lost track of his priorities or his humility. In a recent interview with Erykah Badu, Kendrick describes his motivations thusly:
“[A]s a kid I was always fascinated knowing that I could be the best at something—like Jay-Z or Nas or B.I.G. But putting a positive light on where I come from is also important to me. When you think of Compton, it’s numb with negativity, even to this day. So the whole purpose of this first album was really to spark the idea of doing something different rather than doing a record that’s just about gang culture. That’s the ultimate thing I want to do in making music—to be able to inspire somebody else.
Tellingly, Kendrick doesn’t just pay lip-service to positivity. As he expresses his lack of concern about album sales in verses, Lamar acts in ways to inspire people in his community and beyond. Recently, he made headlines for his partnership with GetSchooled,described as “a nonprofit that aims to improve high school graduation rates and help students succeed in college.” Through GetSchooled, Lamar was able to host a motivational Skype conversation with 500 7th-12th graders at Alaska’s Bethel Regional High School, spitting rhymes, answering questions, and uplifting the student body. In a speech to the students, he said:
“Without education you don’t have anything. My teachers were great positive influences in my life. My middle school English teacher was probably the reason I became a rapper. He used to encourage me to write poetry and challenge me, which helped me improve my vocabulary and made me enjoy writing.”
Days later, Kendrick took some time out from touring to serve as Celebrity Principal at Providence, Rhode Island’s Mount Pleasant High School, where he encouraged close to 1000 more students through his partnership with GetSchooled. Lamar summed up his experience thusly:
“Any time I can make a difference in the lives of students, it matters to me. Knowing that these students earned this event because they took the time to come to school daily and work hard on a daily basis for the attendance challenge is impressive. For me, education is the key to success. Without some form of education, you don’t have anything. Education was always important to me, as my mom made sure that I was always in school.”
Kendrick’s commitment to integrity in his life and in his art serves as an example of youth empowerment in the face of cultural and societal challenges. By choosing to use his talents to inspire young people, Lamar positively achieves his vision.
HIP Enterprise salutes Kendrick Lamar for his maturity and efforts to motivate his community.
This has been Jerome J. filling you in with what’s really going on in the world of entertainment when the cameras are off and the studios are closed.


![Did You Know??? (April 2013): Snoop Lion
Maturity.
It’s a loaded word, for sure, with seemingly as many incarnations as there are people walking the planet. Because of how relatively subjective maturity can be, at times it can be difficult to properly identify. What may look like a responsible, informed decision from one perspective might appear short-sighted or foolish from another vantage point, removed in time and space. For instance, in 1993, a 22-year old rapper became a breakout star when he released his debut album, Doggystyle, a work chock with sex, violence, drug use and funk, provoking controversy and major sales exemplary of the public’s insatiable appetite for entertaining tales of street life. Parental advisory was enthusiastically encouraged for underage listeners of Snoop Doggy Dogg’s first album, as its themes were unapologetically explicit. Indeed, the young Snoop proved a lightning rod for criticism - along with the rest of the so called Gangsta rappers of the period - for his illicit tales of gangster activity. Even in 1993, Snoop pushed back against the critical perception of his work; from an interview with Toure:
“For little kids growing up in the ghettos, it’s easy to get into the wrong types of things, especially gangbanging and selling drugs. I’ve seen what that was like, and I don’t glorify it, but I don’t preach. I bring it to them rather than have them go find out about it for themselves. I’m going to try to eliminate the gang violence. I’ll be on a mission for peace. I know I have a lot of power. I know if I say, ‘Don’t kill,’ niggas won’t kill”.
Despite his stated intentions at the time of his debut, you’d be hard-pressed to find even an implicit anti-violence theme in most of Snoop’s art, then or since. It’s hard not to glorify gun violence and gang-banging when it’s part of your primary subject matter, and for Snoop, detailing the gangster way of life brought him millions of dollars and lucrative opportunities. What would have happened if the 22-year old Snoop had immediately followed through on promise to try and eliminate gang violence with his platform and his art all those years ago?
While we’ll never know the answer to that question, in the 20 years since the release of Doggystyle, Snoop has grown into both an industry unto himself and a mentor to various youths and artists. The “power” that he recognized as a self-aware 22-year old breakout star manifested itself in ventures like the Snoop Youth Football League – wherein he is a coach full time – and numerous charitable works. Few hip hop artists have the kind of cross-over appeal and machine that Snoop possesses, and despite the contradictions between his stated aims and his art, the rapper has influenced many in a positive way. Still, his past and the content of his catalog of music cannot be overlooked.
Nor should it be, according to Snoop, who has recently taken steps to become a more positive role model and person in the public eye. In an effort to spur this transformation, Snoop visited Jamaica and studied Rastafarian philosophy, determined to achieve a more peaceful persona. “I want to bury Snoop Dogg and become Snoop Lion”, he said after his trip, which he documented for his upcoming film/album Reincarnated. The theme of reincarnation is one the newly christened Snoop Lion takes very seriously, although he seems to be aware that not everyone views his transformation as legitimate. Taking the skepticism in stride, Snoop doesn’t forget his gangster past. Rather, today he’s doing the work he talked about doing back in 1993, using his position as an experienced OG to connect with at-risk youth in a more positive way. Inspired by the tragic stories of gun violence that have captured the attention of the nation, Snoop teamed up with Drake and his daughter Cori B. to create “No Guns Allowed”, an anti-violence protest single that stands in stark contrast to his earlier work. Says Snoop to Access Hollywood:
“I come from that, where I used to feel it was better to be caught with than without [a gun]. As I’ve become an older person in the world I realize guns are very terrible. It’s good to protect yourself and to have in those situations, but I’m talking about those who don’t know how to handle them. People who have them and don’t know why they have them, just use them for unnecessary reasons - I’m talking to those people. What’s important to me is that I speak to the people. I always make party records and I don’t want a party record, I want to speak to what’s going on in the world and that’s a lot of violence with guns.”
The maturity in Snoop’s new perspective can potentially serve as a positive influence on at-risk youth, as his own life testifies to what one can accomplished when removed from the violence of the streets. By publicly voicing his opinion about guns and violence as a veteran in hip hop, Snoop has engaged his large fan base in an important conversation about our society. But his effort isn’t limited to a song. Snoop recently partnered with MTV and Jewelry for a Cause for a new initiative that will help take weapons off the streets, donating proceeds from bracelet sales at caliber.MTV.com to help fund future gun buyback amnesty programs in Newark, New Jersey. Says Snoop of the initiative:
“This is such an important message we’re sharing. It’s a movement we want generations to recognize, embrace, and get behind. We’ve seen a lot of senseless acts of violence involving guns recently — too many have lost their lives, too many families have been destroyed. Like my friends at MTV, I want to be a part of the change that will help bring peace.”
From our vantage point, it appears as though Snoop Lion has grown into a mature man in a position to affect positive change. While he should certainly be held accountable for any negativity he’s put into the world, we applaud Snoop for taking a stand and working to contribute to the effort against gun violence.
HIP Enterprise salutes Snoop Lion his maturity and efforts to curb gun violence, and for encouraging others to do the same.
This has been Jerome J. filling you in with what’s really going on in the world of entertainment when the cameras are off and the studios are closed.](http://25.media.tumblr.com/4afd0c87dc19b51d0806b97aecae3e55/tumblr_mlgf3gKqky1qlqldao1_500.jpg)





![Did You Know???: Tavis Smiley & Cornel West (January 2013)
In less than a week, we the people will once again inaugurate our nation’s first black President, this time on a holiday commemorating the legacy of Civil Rights pioneer Martin Luther King Jr. The poignancy of the fortuitous schedule is difficult to understate; since King’s assassination over 40 years ago, our country has taken a number of large steps toward social equality, with few as symbolically resonant as the election of Barack Obama to its highest office. However, despite these gains, no one could accurately say that we’ve fully realized the spirit of equity King sacrificed his life for. According to statistics from late last year, nearly 16% of Americans live below the poverty line in the United States - that’s nearly 50 million people - with even more families barely clearing it. Even with so many Americans struggling to meet the basic needs for the survival of their families, it’s sadly believable that poverty isn’t a greater topic of discussion amongst our friends in politics and the media. Fortunately, people like Tavis Smiley and Dr. Cornel West have been working tirelessly to ensure that the poor have some modicum of voice in a political conversation thats more often than not dominated by big spenders. As a talk show host and media entrepreneur, Smiley has enjoyed a mutually beneficial relationship with Professor West over the past several years, culminating in a joint talk radio show, a number of books, and several lecture tours. The focus of these endeavors has most often been to raise awareness about the plight of marginalized Americans living either in or near poverty, and the pair have often traveled the country simply talking to these people and publicizing their stories. Wrote West in his latest book, The Rich and The Rest Of Us: A Poverty Manifesto:
“The Poverty Tour provided the opportunity to meet many people who had been living paycheck to paycheck even before the economic downturn. To so quickly slide from the great middle into the underworld of the poor validated our suspicions that perhaps these citizens never really were bona fide, middle class Americans. Indeed, some economists assert that the middle class evaporated decades ago.”
While recent years have shown Smiley and West as outspoken critics of President Obama, even to a fault, few would argue that their main mission - ensuring that poverty becomes a greater part of the national dialogue - has been wrongheaded. In fact, it is in line with the very tenets King embodied during his revolutionary tenure on Earth. Just before his death King wrote:
“The dispossessed of this nation the poor, both white and Negro live in a cruelly unjust society. They must organize a revolution against that injustice, not against the lives of … their fellow citizens, but against the structures which the society is refusing to take means … to lift the load of poverty…”
In spite of whatever personal issues lie between Dr. West and President Obama, Smiley and West remain valuable components to a serious discussion about the issue of poverty in our nation by virtue of their criticism of the office of the President on this critical issue. Toward that end, Smiley is hosting a bipartisan panel on Thursday, January 17th, at George Washington University called “Vision for a New America: A Future Without Poverty.” With such luminaries as Dr. West, Representative Marcia L. Fudge (D-OH), chair of the Congressional Black Caucus (CBC), filmmaker Michael Moore and others, the program seeks to engage America on this matter so that the world can see. Says Smiley:
“[O]ur new year’s resolution should be to address economic injustice in this country by continuing to put America’s middle class back to work. Now is the time to create a new vision for America.”
HIP Enterprise salutes Tavis Smiley and Dr. Cornel West for their resiliency in the face of poverty, their work in communities across the country, and for encouraging others to do the same. This has been Jerome J. filling you in with what’s really going on in the world of entertainment when the cameras are off and the studios are closed.Works CitedSmiley, Tavis and Cornel West, The Rich and The Rest of Us: A Poverty Manifesto.
Martin Luther King Jr., “Martin Luther King Speaks Out Against Injustice,” HERB: Resources for Teachers, accessed January 14, 2013, http://herb.ashp.cuny.edu/items/show/684.](http://24.media.tumblr.com/54c6ac6ff357cfd5cc88da6bf78a8681/tumblr_mgolalqK9g1qlqldao1_400.png)